At this point the code was done and the phone worked great, but it still looked like a beige desk phone from 1985. The phone was going to live at Peel for the O, Miami Poetry Festival. Peel is a banana-based soft serve shop in Miami Shores and the Design District. Did you know about a third of the planet's food goes to waste, often just because of how it looks? The bananas Peel uses aren't rotten or spoiled — they're perfectly good fruit that won't sell in stores because people won't buy spotted bananas. Peel blends them into soft serve with no added sugar and just two ingredients. So yeah, the phone needed to be a banana. And not a pretty one.
Jayna and Alyssa Take Over
I handle the electronics. Sculpting and painting are not my thing. So I brought in Jayna Hankin and Alyssa Cruz. They did all the physical work on this one — the clay sculpting, the spray painting, dyeing the cord, hand-painting the brown spots. I told them I wanted it to look like a banana that's just past ripe, the kind Peel would use. Spotted, a little beat up. They nailed it.
Sculpting the Handset
They grabbed a real banana, set it on the table for reference, and started building up modeling clay over the original phone handset. Matching the curve, the taper, getting the stem right.
The hard part was keeping it functional. The earpiece and mouthpiece holes had to stay clear, and it still needed to sit in the cradle so the hook switch would work. Too much clay and it won't hang up right. The phone thinks you're permanently off-hook.
Going Yellow
Once the sculpting was done, they needed to make the whole thing yellow. Not just the handset. The phone body, the keypad cover, the cradle, the cord. All of it.
The Phone Body
I took apart the phone shell and laid out all the pieces on cardboard for them.
The Cord
You can't spray paint a coiled phone cord. The paint cracks as soon as you stretch it. So they dyed it. Pot of yellow fabric dye on the stove.
The plastic took the color well. It came out slightly more golden than the spray paint, but that actually looks right. Banana stems are a different shade than the fruit.
Adding the Spots
A solid yellow banana looks fake. The whole point of this project, and the whole point of Peel, is that the ugly ones are the good ones. So Jayna and Alyssa hand-painted brown spots and bruises on the handset, using the real banana as reference. The spots cluster near the ends and along the inner curve, same places a real banana bruises.
Reassembly
I put the electronics back in. Pico, DFPlayer, all the wiring. It barely fits inside the now-yellow body.
The Finished Phone
Pick up the banana, get a dial tone, punch in a number, hear a poem. Dial 777-FILM and you get Poemafone. It works exactly like a real phone call, except the phone is a banana and the person on the other end is a poet.
The spotted handset fits right in at Peel. A third of the world's food gets thrown away because it doesn't look perfect. Peel takes those bananas and makes something good out of them. This phone does the same thing with an old format nobody uses anymore.
The Journey
- Part 1: Cracking the keypad matrix
- Part 2: Wiring the DFPlayer Mini
- Part 3: Kid-proofing and Easter eggs
- Part 4: Making it a banana
Credits
- Banana sculpting, painting, dyeing, and full physical transformation: Jayna Hankin and Alyssa Cruz
- Electronics and code: Mario Cruz
- Commissioned by: O, Miami Poetry Festival
- Hosted at: Peel, banana-based soft serve in Miami Shores and the Design District
The Code
The full source code is open source on GitHub: github.com/MarioCruz/OMiamiPhone